Rachel J. Peters

Composer/librettist Rachel J. Peters (b. 1977) writes all manner of works for the stage. Her operas include Rootabaga Country (Sarasota Opera), Companionship (Fort Worth Opera), The Wild Beast of the Bungalow with Royce Vavrek (Oberlin Conservatory), No Ladies in the Lady’s Book (Utah Opera; published by E.C. Schirmer) and Staggerwing (Opera Kansas) with Lisa DeSpain, Steve (Boston Opera Collaborative), Everything Comes to a Head with Margi Preus and Jean Sramek (Lyric Opera of the North/Decameron Opera Coalition), Pie, Pith, and Palette with Marvin J. Carlton (The Atlanta Opera), and Monkey Do (Rhymes With Opera). On the horizon are the world premieres of Men I’m Not Married To for Cleveland Opera Theater with Ms. DeSpain, Lesson Plan starring Stephanie Blythe and Laquita Mitchell (On Site Opera), and a new work with Leanna Kirchoff for Opera Steamboat.

Rachel’s musicals include Only Children with Michael R. Jackson (NYU Tisch, Lincoln Center Directors Lab), Tiny Feats of Cowardice with Susan Bernfield (NYC Fringe Festival), Write Left with John Walch (Playwrights Horizons Theatre School), Tomato Red (UC Irvine), and Octopus Heart (NYU Steinhardt). Scores for plays include the critically acclaimed Stretch (a fantasia) (New Georges) and Tania in the Getaway Van (Flea Theater) by Susan Bernfield, Transatlantic by John Walch (Arkansas Rep), The Bacchae (Asolo Rep Conservatory), and several works by Stan Richardson. Her concert mini-monodrama, Ethel Smyth Plays Golf in Limbo, written for Albatross Duo, was performed at Semperoper Dresden and continues to enjoy performances all over the US. Other concert works include If You Can Prove That I Should Set You Free (Albany Symphony’s Dogs of Desire), Jack's Vocabulary (Hartt SPASM), I Live Here (Galapagos Art Space), Canon I (Two Sides Sounding), And Then (BayPath College), and Fronds: The Wisdom of Fanny Fern (Walt Whitman Project); more are forthcoming.

Rachel’s extensive catalogue of art songs and cabaret songs has been performed at Lincoln Center, Second Stage, National Opera Center, Symphony Space, NYMF, Ars Nova, Joe's Pub, and cabarets and theatres nationwide. Rachel is a contributing composer/lyricist to the new generation of The AIDS Quilt Songbook. Additionally, her music can be heard on Michael R. Jackson’s Dirty Laundry and Zachary James’s CALL OUT albums.

Rachel has held residencies as composer and/or librettist at Kimmel Harding Nelson Center for the Arts, Yaddo, Brush Creek Arts, and Soaring Gardens Artists Retreat. Rachel has received Anna Sosenko Assist Trust and multiple ASCAPlus awards; OPERA America awarded Female Composers Grants to Sarasota Opera for Rootabaga Country and to composer collaborator Leanna Kirchoff for their opera Friday After Friday. Rachel is a proud alumna of New Dramatists Composer-Librettist Studio, American Opera Projects' Composers and the Voice, and a frequent fellow at the John Duffy Institute for New Opera. She holds a double B.A. summa cum laude from Brandeis University and an MFA from New York University’s Graduate Musical Theatre Writing Program.

Rachel originally hails from St. Louis and currently lives in Brooklyn, a borough with an exceptionally high concentration of opera composers.